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A popular politician's life unravels forcing him to confront who he is and what he's become.

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315 Entertainment Group:
Our mission is to tell stories that encourage, challenge and inspire.

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Samples and excerpts from various projects
from Producer/Director Jeff Evans.

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Lights, Camera Action Blog

Pro-life ‘October Baby’ rejected by major studios, blitzes box office

By Hollie McKay

“The Hunger Games” wasn’t the only film to hit box office paydirt this past weekend. Although it only opened in 390 theaters, the anti-abortion drama “October Baby,” starring John Schneider,earned the second-highest-per-screen average, bringing in almost $2 million in ticket sales.

“I was shattered when I first learned about the story. I was moved and mesmerized. I wasn’t an activist, I was just someone who was shattered by the truth,” director Jon Erwin told FOX411’s Pop Tarts. “Here is our little film, small budget, in the top ten (at the box office). We are thrilled, blown away.”

“October Baby” follows the emotional journey of a young woman who learns that she was almost aborted, but at the last minute was instead given up for adoption. The film almost didn’t see the light of day.

“This film couldn’t find a home, no studio wanted to touch it. It was considered too controversial,” Erwin continued. “There was a real moment of despair at one point, the film wasn’t finished and nobody would take a look at it. But every time we screened it, it attracted such intense emotional reactions. So we had to raise the money ourselves, and the release process took much longer than we wanted.”

According to Dr. Ted Baehr, founder of the Christian movie site Movieguide.org, the success of “October Baby” can be attributed to a strong Christian and moral world view that touched the hearts of those who saw it. He says it’s important for more audiences to have the chance to see it, too.

“All who see it should be transformed, so considering the importance of the message, everyone should see it,” he said. “It needs more theatrical exposure.”

Erwin said they are hoping for a wider release next month, and communities are so desperate to see the film they are forming “action squads” in which Christian schools, churches and residents are coming together and agreeing to buy a certain amount of tickets to cover costs.

“We don’t have the deep pockets and resources that big studios have,” Erwin added. “So we have to take the long approach. But people are really getting behind this and rallying. People identify with it, that’s why the film worked.”

Read Original Article Here

Negotiating The Holdback: What’s At Stake

Here’s something of interest from Filmmaking.net:

One of the most difficult negotiation points today for independent film producers in their domestic distribution deal is the hold-back of the release of the picture in the foreign territories. This one point by itself can bring the producer grief from almost every side, from his foreign sales agent to his own investors.
filmmaking.net articles

Becoming The Entrepreneurial Filmmaker

Here’s something of interest from Filmmaking.net:

Recently the website DailyBeast.com posted the”20 Most Useless Degrees” report. Right in the number twelfth position is Theater; which includes acting, producing, directing and communications. This number is based on the 2012 job outlook study done by the National Association of Collages and Employers which was cross referenced with the job growth and coursework information for the 2008-2018 report by the U.S. Department of Labor.
filmmaking.net articles

Technology and Film Editing

Here’s something of interest from Filmmaking.net:

Kristen Brophy talks editing software and techniques with Jillian Corsie.
filmmaking.net articles

‘The Hobbit’, Shooting with 48(!) RED Cameras, at 48fps

Here’s something of interest from Filmmaking.net:

Peter Jackson has released the fourth instalment of his Production Diaries from the set of ‘The Hobbit’.
filmmaking.net articles

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